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The Lefsetz Letter

R&RHOF

by Bob Lefsetz

Okay, close the doors, nobody else can get in.

Don't argue with Miles Davis. If you've ever heard "In A Silent Way" you know that he deserves to be inducted way before Santana. And, "Bitches Brew" is way more adventurous than the work of at least half of those ALREADY IN the Hall. And, if you just want to go by who he had in his band, who he introduced to the scene, you can start with John McLaughlin and go all the way through Joe Zawinul and Wayne Shorter, never mind Herbie Hancock. And Miles PLAYED the Fillmore East. Opening for Laura Nyro. Hey, where's SHE? If you don't include Laura Nyro before Blondie, then you don't know shit about music. Chris Stein and Debbie Harry could try FOREVER and not come up with a record half as good as "New York Tendaberry" or "Eli and the Thirteenth Confession". And, she wrote more hits than they HAD! But Laura Nyro's dead and forgotten. And seeing that David Geffen made his first million on her back, screwing her in the process, I don't expect HE'LL be lobbying for her induct ion. Then again, at least Laura's from New York. Where the Rock And Roll Hall Of Fame epicenter/power center seems to be located. And the myopia of those in charge is evidenced by the induction of Blondie. I mean who's next, TELEVISION? Hell, "Marquee Moon" is a further adventure than anything Blondie did, but I don't think Tom Verlaine's bunch should be in the Hall Of Fame.

I happen to be a Blondie fan.

You can forget their Private Stock work. But, "Parallel Lines" was a great album. Not a MASTERPIECE, but a very good record. I LOVE the attitude in "Hanging On The Telephone". But the only element of pure genius on the damn platter is Robert Fripp's ethereal solo in "Fade Away and Radiate".

"Heart Of Glass" was a melding of rock and disco. Hell, it was originally entitled THAT DISCO SONG! For this, Blondie needs to be canonized? For making the world safe for Rod Stewart's "Da Ya Think I'm Sexy"? God, induct Steve Dahl before you let in Blondie. Or how about some deejays, like the dearly-departed Scott Muni, or John Peel even? Or B. Mitchell Reed. Or even Cousin Brucie! They truly impacted the landscape, not BLONDIE!

I liked "The Hardest Part", but "Eat To The Beat" was a disappointing follow-up. And the fact that a video was made for every track means that maybe futurist/seer Shep Gordon should be inducted, but not the band that executed HIS idea!

And then there's the not much better "Autoamerican"... Isn't there SOMEBODY who needs to be in the Rock And Roll Hall Of Fame before Blondie for popularizing reggae? Hell, Bob Marley had been doing it for YEARS before "The Tide Is High" caught on. Honoring Blondie is like honoring Pat Boone for doing cover versions of black tracks. Ditto, "Rapture". I can think of a whole HOST of rap artists who should be in the Hall before Blondie. So, they ripped off the man and made rap safe for the suburbs. Write 'em a check, don't induct them into the Hall Of Fame.

The Pistols are rock and roll. One album and out. This is a band that revolutionized rock, that couldn't stay together, profits be damned. Whereas Blondie froze out Frank Infante, so they could have more money for themselves. Scummy, don't you think?

I just don't get it. Sure, everybody rails about the Oscars. And the Grammys are a complete joke. But the Rock And Roll Hall Of Fame was supposed to be above this, it was supposed to mean something.

I mean who's gonna induct Blondie? Martha Quinn, or one of the other original veejays who spun their videos? And what are they going to say? Debbie Harry was cute. Chris Stein had a knack for a hook. This gets you a table at a restaurant, not immortality.

Everybody knows that rock peaked twenty odd years ago, if that late. If we're scraping the bottom of the barrel like this, I say call it a day. I mean let Ronnie Van Zant and his buds in. THREE lead guitarists? Boozing it up and wreaking havoc across the land all the time writing music to drink and screw to. But, just because they started downtown, and were there when a bunch of old fart New York music executives were coming up that DOES NOT mean Blondie deserves to be in the Rock And Roll Hall Of Fame. Hell, induct the REAL genius behind Blondie's success, producer Mike Chapman. But no, since he's seen as an arrogant prick, this wunderkind gets no recognition yet his proteges do. RIDICULOUS!

Bob Lefsetz, Santa Monica-based industry legend, is the author of the e-mail newsletter, "The Lefsetz Letter". Famous for being beholden to no one, and speaking the truth, Lefsetz addresses the issues that are at the core of the music business: downloading, copy protection, pricing and the music itself. His intense brilliance captivates readers from Steven Tyler to Rick Nielsen to Bryan Adams to Quincy Jones to EVERYBODY who's in the music business. Never boring, always entertaining, Mr. Lefsetz's insights are fueled by his stint as an entertainment business attorney, majordomo of Sanctuary Music's American division and consultancies to major labels.

While Rhino may occasionally disagree with some of Bob's opinions, we certainly agree with his right to state them. At the bottom of each column we give you, the reader, the opportunity to respond and we encourage you to do so. We will post select comments.


LET US KNOW WHAT YOU THINK.

A word about submissions: We post what you give us, so please don't include your email address or any personal info. Your comments reach Rhino, not necessarily the writer, so don't expect a reply from them (or us, see our help section for contact info). We gather and post your submissions in batches, so do expect a short delay. And don't get bent if we edit your comments. We probably won't, but we reserve that right.


Comments:

Enjoy your column. Appreciate your reference to Miles. No R&R artist - not The Beatles, not Bowie - has been able to evolve his music and be influencial in four decades like Miles. BeBop in the Forties, Cool School in the Fifties, Fusion in the sixties and, if you listen to the under-valued 'On the Corner' from the early seventies, you can hear the precursor to rhythm-driven disco that came later in the decade. But the R&R Hall of Fame? Not sure. I'm a strict constructionist. Only R&R icons belong in there...that excludes Blondie. Meanwhile, if inducted, Miles would turn his back on the offer.
...George 'Walrus' Meier

good stuff

How do you know something is dead? When it's stuffed and on display in a museum. You can date the end of rock as a living form from the opeing of the Hall of Fame, and each ceremony is just another nail in the coffin.

Stuart Churchill

I wouldn't mind all the non-Rock acts in the hall of fame if they'd just induct Rush. Those three guys from Canada influenced so many and are still getting it done today!

ZING!!

you da man, bob.

Shut the doors is right. Or make it like baseball, at least, where some years, nobody gets in. I mean, what are there, about five acts total that came along in the 80's that *might* deserve a shot? And as you move forward in time, fewer and fewer of these acts are really categorizable as "rock and roll". But anyway, thank god they let Bob Seger in... lord knows, he broke new ground on every album.

No wonder why I hate to see people get awards.

Hi Bob-

Love your column. I dig the R&R Hall, and I know that (almost) everyone's opinion has merit, but there are dozens of artists / bands / producers / sidemen that should be in there before Blondie (and some others).

Thanks for saying so.

Hi Bob,
Thanks for telling it like it is. How can Blondie make it in before Chicago (anyone remember Terry Kath??) or Neil Diamond (how many great songs has HE written??)




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