Rhino Records HomeStore News And Notes Fun About Rhino Help My Cart
CDs DVD and Video Vinyl Store Collectibles: Rhino HandmadeWireless: Music for your cell phone
Newsletter

Sign up here and we'll let you know what’s up

(optional)
HTML Text
More Lefsetz Articles

[13] comments


The Lefsetz Letter

It's Alright, Ma

by Bob Lefsetz

Did you notice that Bob Dylan didn't appear on any of the telethons?

I used to think the goal was to be the Beatles. An act that was inviolate, that wouldn't license its material to anybody, wouldn't let it be in compilations or movies, who specialized in saying no because they CONTROLLED the tunes. Yup, you had to have CONTROL!

But now I know it's not about the masters, but control of yourself. Can you look yourself in the mirror, when you go to bed at night do you have your integrity, HUMILITY? If you think you're better than everybody else, you're lost. If you know that EVERYBODY'S lost and we're all searching for answers, then you get my respect.

Don't confuse artistry with celebrity. They're two different animals. Oh, they can coincide. But not for long. Eventually your time draws to a close. The radio plays somebody else. Kids don't know who you are. You're PASSE!

How someone copes with this gives one insight into their character.

U2 is over forty. They don't make urban music. Hit radio wasn't interested. This frustrated them. Rather than accept their has-been fate, they've fought to stay on top, and it shows. The most memorable product they've released in the past year is their iPod. It's cooler than their music. More meaningful than their shows. They appear on "Entourage", anything to sustain the cash cow. To tour arenas. To make the money. But is it really about the money? Is it really about the fame? Is that the end goal of life?

U2 got my admiration because of "Achtung Baby". It was an adventure. One step beyond the audience. Incomprehensible on the first listen. We call this art. That new song that rips off "You Keep Me Hanging On", that's not art, that's commerce.

I get enough commerce in the grocery store. On network TV. What I'm looking for in music is pure, unadulterated art.

Oh, that doesn't mean we can't have ANY commerce. That we can't have hit ditties. It's just that I don't respect them. I might even ENJOY them. But they're not meaningful. Life is complicated. Scary, lonely. Sure, it's fun to have some grease to get you through, but we're really looking for food. Emotional and intellectual food. Honesty. No medium is as honest as music. When done right.

It's rarely done right anymore.

Oh, there are a zillion bands on MySpace that are honest.

They're just not any good.

And just about everybody with any talent has bought the mainstream mantra that you've got to market to sell. To be a big star. But is that what it's all about? Or, once you've seeped into the public consciousness can't you pull back on the throttle? Like Pearl Jam?

If only Pearl Jam were great.

But they're serviceable, not great.

I'd like to tell you Bob Dylan has done great work in the past two decades. He hasn't. Why he gets a pass for ripping off that Japanese man's book for lyrics is beyond me. That's how blind our critics are. What they revere eclipses its faults. But despite the failure of the man to make great music, he's living the life of a musician, he's playing.

That's what a musician's work is. Playing music.

It's not stardom. It's not governmental interaction. It exists OUTSIDE the system. It's a COMMENT on the system. MERGE with the system and you've lost it.

If Bob Dylan had appeared on a telethon he would have appeared two-dimensional, subservient to Joel Gallen, the brass at MTV Networks, subsidiary to the consumer culture, a ravenous monster that needs a constant flow of product to feed it. Watch the news. Mark Felt today, some girl in Aruba tomorrow. It's all about selling this, or that. Whether it be soap, or Red Cross donations.

That's not the purpose of art. Art is an end unto itself. The Mona Lisa doesn't sell mortgage services. It exists in a separate world. That we want to get close to, to touch. And despite our proximity we never fully understand it, we're perplexed, we're wowed. The same way we are when we hear a great song.

And a great song survives. Not only on oldies radio, but in the hearts of the public.

The line that's been going through my head for the past two weeks isn't from Randy Newman's "Louisiana 1927" but Bob Dylan's "It's Alright, Ma (I'm Only Bleeding)". You know it: "But even the president of the United States sometimes must have to stand naked."

Oh, out of context, it doesn't do much for you. But that's what separates music from poetry. It comes deep into an almost eight minute song that's a flurry of words Bruce Springsteen has never equaled, no matter how hard he's tried. Delivered to the accompaniment of an acoustic guitar. Spat out with disdain. As if that guy playing for quarters by the subway station was GOOD!

That's how fucked up this country is. That's how fucked up these telethons were. They didn't have one moment as good as Bob Dylan's delivery of this one line.

Recorded forty years ago, "It's Alright, Ma" sounds as fresh today as the first time you heard it. It's not trendy. It's not folk music. It's honest. "Like A Rolling Stone" is a period piece. "It's Alright, Ma" is not. And the concepts put forth are as right on as they were when they were first delineated.

Bob Dylan could have come out. Like Pink Floyd at Live 8.

But, unlike Pink Floyd, Bob Dylan's still here. You can see him, not far from home, on a regular basis. There are no backdrops, there's no light show, only music. Because, if the music isn't enough, you're fucked.

And it's not the same music it used to be. The songs are all twisted. It's frustrating. But, you realize it's not about you, Bob's not delivering for you, you're privileged to be seeing a master at work. Searching for meaning. However elusive it might be. Like you, he's not stuck at age twenty or forty. He's grown old. He's accepted it. He's trying to make his life work NOW! It's not about the legacy, perpetuating the career, not even about making a living as much as it is a search for MEANING!

That's what's lacking in America today. Meaning. It's about what's on the outside, not the inside. In a country fixated on looks and possessions who you are is irrelevant. And to think that this core principle has been ripped from artistry is to be sad.

I'm not counting on Bob Dylan regaining the muse. Being able to duplicate "It's Alright, Ma". But, if you saw him on "60 Minutes", you know that even HE admits he can't do that anymore. Not that one can trust everything he said in that performance art of an interview. But, certain honesty escaped from the illusion. Bob Dylan let on that he's on a journey. To be the best. Not the richest, or the most famous, but the icon.

Funny to think about. You'd tend to believe he already IS an icon. But in life you can't bank on the past. It's about who you are now. Bob Dylan's trying to make it all work NOW! Aren't YOU?

Paul McCartney isn't. Nor the Stones. Paul and Mick have had their looks tweaked. They need to be who they used to. Who you remember. Otherwise, they're just sad old men.

But what's so sad about living a whole life? Making it to sixty?

Then again, do you want your mother to treat you like you're twelve? Don't you want her to accept you as an adult? What must be going through these old stars' brains, that they believe that their only choice is to be stuck in perpetual adolescence.

So, even though I don't want to listen to Dylan's new music, or even see him, I still believe. In his journey. It's a beacon.

"While them that defend what they cannot see
With a killer's pride, security
It blows their minds most bitterly
For them that think death's honesty
Won't fall upon them naturally
Life sometimes
Must get lonely."

You only get one go-round. I'm warning you, Bob Dylan's warning you, make the most of it. Know that you don't have all the answers. That if you're not questioning yourself and your behavior and the world EVERY DAY you're missing out. Belief is the easy way out. Religion will give you a code, that might even be helpful, but you've got to face life naked. With all your faculties. Being aware of your synapses firing.

So all those stars with their jewelry and possessions. Telling you what good they're doing. They're false prophets. If you're following them, you're missing out.

And if you're following Bob Dylan you're missing out too. He's not a leader, just someone with input. Which you can weigh when you make your decisions. A far cry from the know-it-all stars of today. Arrogant as a youth, as an elder statesman Dylan demands less of us. Humbled by life, his goal is to keep marching, to keep learning. That's a paradigm worth embracing.

Musicians on TV tell you you must have compassion, as if you wouldn't have feelings without their guidance.

Karl Rove sits in Washington spinning your perception.

Democrats stay silent fearful they'll misstep and lose the advantage if they speak up. As if life is about laying back reacting rather than leading.

No, life is about wrestling with the situation that's presented you, going on record, not fearful of making mistakes, not worried about others' perceptions.

This is how Bob Dylan lives.

And that's why we still believe in him.

And don't believe in those stars on TV.

Bob Lefsetz, Santa Monica-based industry legend, is the author of the e-mail newsletter, "The Lefsetz Letter". Famous for being beholden to no one, and speaking the truth, Lefsetz addresses the issues that are at the core of the music business: downloading, copy protection, pricing and the music itself. His intense brilliance captivates readers from Steven Tyler to Rick Nielsen to Bryan Adams to Quincy Jones to EVERYBODY who's in the music business. Never boring, always entertaining, Mr. Lefsetz's insights are fueled by his stint as an entertainment business attorney, majordomo of Sanctuary Music's American division and consultancies to major labels.

While Rhino may occasionally disagree with some of Bob's opinions, we certainly agree with his right to state them. At the bottom of each column we give you, the reader, the opportunity to respond and we encourage you to do so. We will post select comments.


LET US KNOW WHAT YOU THINK.

A word about submissions: We post what you give us, so please don't include your email address or any personal info. Your comments reach Rhino, not necessarily the writer, so don't expect a reply from them (or us, see our help section for contact info). We gather and post your submissions in batches, so do expect a short delay. And don't get bent if we edit your comments. We probably won't, but we reserve that right.


Comments:

Love & Theft was a great record. So what if he took words from one song ("Floater") from a novel. And he stole from a lot of other sources on that record, including F.Scott Fitzgerald, Charley Patton and Frank Sinatra's "Lonesome Road." Isn't that supposed to be part of the sacred folk tradition? As someone once said "Good artists borrow, great artists steal."

darkness at the break of noon !!!!

Bob, is spot on as usual. It's not for everybody but then the truth never is. It can help but make one slightly depressed that commerce has tipped the scales so heavily in it's favor, at the expense of real art.

"MERGE with the system and you've lost it."

Victoria's Secret?

I saw Dylan this past July in a minor league ball park. He and his band were mesmerizing. His last few albums were mostly boring. A friend who has seen Dylan shine before saw him this last spring and was not impressed. But something magic with integrity, musicianship and adventure clobbered the hell out of me. Whatever it is, he can still turn it on from time to time and it is worth going to see him in case it happens.

Having been involved in music my whole life, and read many many publications and books about pop/rock music, it's amazing I've never heard of nor read this legend. My luck I guess. What a blow hard, full of pious pontifications and judgements. How the hell can you dismiss a whole group of people with a flick of your ridiculous critic's hand? It doesn't accomplish anything, but use up some space for your own gratification.
Maybe if I read some of Bob's junk I'll like it more, but the first taste kinda made me sick to my stomach.

This guy's a legend? Who do you think people will be turning to in 100 years - if there are still people to turn - Lefsetz the legend or the has been Dylan, whose Love and Theft will be analyzed right up there with Willy the Shake, et all. Dylan's a Messenger of the Gods; no less, no more. And this legend fellow here can't write too good, neither.

I just listened to Rhino Podcast No. 3, in which Lefsetz covers much of the same ground, but even more incoherently. All of the digressions, all the riffing, all the inanities, would all be worthwhile, if Lefsetz would ever tie it together to make a point and come to a conclusion, But he never does. Lefsetz might love music, but his love for music is dwarfed tenfold by his love for his own voice.

Nice article, thanks for it.
Dylan has been busy being born forever... he is on the path of individualtion... growing and growing.

For all his archtypal mystery, he's not an icon to himself.
There is a line in the song "highwater": As great as you are a man,
You'll never be greater than yourself."
I told her I didn't really care

That pretty much says it I think.

The only disagreement I have is that he isn't making great music still.
He may not be making the same kind of music... or the greatest music he has ever made, but his music is still great. I just recently became immersed in Oh Mercy, along with Love and Theft and Time out of Mind.
I was truly amazed, awed. The musicianship was so tight, so interesting. The voice and delivery were perfect for the music and lyrics. The guy can sing like nobody's business the way he can bend a word and twist a phrase... does he hit the mark 100% of the time? no, but who does... the remarkable thing is that he did when he burst on the scene and it was so amazing he has been held to that standard.

I guess I feel if he could be taken for who he is now... and not held upto his past dazzling heights people would see his newer work as the amazing art it is, and see him as an artist that transcends particular words and images... who writes like some artists paint, personal but transcendent, the words mean something different to everyone, and as time goes on you can identify other meanings for yoursef... much like looking at a painting and being taken by it... and it changes with you. That is transcendent art and dylan is it.

Thanks for such a great article. I love to hear when somebody "gets it." So many think they can review him in the same way they would review a britney spears album! LOL

really, maybe he should be reviewd as fine art.
yeah, thats the ticket.

first time I read Leftsetz's stuff. Quite right, It's alright ma has more substance in it than most artists can muster in a career.

HE WHO ISN'T BEING BORN IS BUSY DYING

i love MBC

THAT HE NOT BUSY BEING BORN IS BUSY DYING IDIOT.




Let I Bleed Book

What's Inside the Rhino Magazine

Subscribe to Feed

Subscribe in Bloglines

home :: news & notes :: store :: about rhino :: fun stuff :: help :: my cart :: privacy policy :: terms of service